Sherrie Levine / Sherrie Levine
LEVINE Sherrie (Hazleton, Pennsylvania, 1947), Morsbroich - Geneva, Städtischen Museum Leverkusen Schloss Morsbroich - Musee d'Art Moderne et Contemporain, Geneva, [printing: Zürichsee Druckerei, Stäfa], 1998, 30x20 cm., softcover with dustjacket, pp. 60, typographic cover, see-through dust jacket in orange. Catalog illustrated with tens of images, essays in German, French and English by Susanne Anna (Im Spiel mit den Allegorien der Essentia), Christian Bernard (Vanités note sur Sherrie Levine), Michel Assenmaker (D'après Sherrie Levine, la répétition?), Erich Franz (Plastische distanz zu Sherrie Levine's "The bachelors (after Marcel Duchamp)), Susan Kandel (Sherrie Levine: Stalker). With a biography of the artist in English. Published in conjunction of the exhibition (Morsbroich - Geneva, Städtischen Museum Leverkusen Schloss Morsbroich - Musee d'Art Moderne et Contemporain, Geneva, 1998)
LEVINE Sherrie (Hazleton, Pennsylvania, 1947), Morsbroich - Geneva, Städtischen Museum Leverkusen Schloss Morsbroich - Musee d'Art Moderne et Contemporain, Geneva, [printing: Zürichsee Druckerei, Stäfa], 1998, 30x20 cm., softcover with dustjacket, pp. 60, typographic cover, see-through dust jacket in orange. Catalog illustrated with tens of images, essays in German, French and English by Susanne Anna (Im Spiel mit den Allegorien der Essentia), Christian Bernard (Vanités note sur Sherrie Levine), Michel Assenmaker (D'après Sherrie Levine, la répétition?), Erich Franz (Plastische distanz zu Sherrie Levine's "The bachelors (after Marcel Duchamp)), Susan Kandel (Sherrie Levine: Stalker). With a biography of the artist in English. Published in conjunction of the exhibition (Morsbroich - Geneva, Städtischen Museum Leverkusen Schloss Morsbroich - Musee d'Art Moderne et Contemporain, Geneva, 1998)
LEVINE Sherrie (Hazleton, Pennsylvania, 1947), Morsbroich - Geneva, Städtischen Museum Leverkusen Schloss Morsbroich - Musee d'Art Moderne et Contemporain, Geneva, [printing: Zürichsee Druckerei, Stäfa], 1998, 30x20 cm., softcover with dustjacket, pp. 60, typographic cover, see-through dust jacket in orange. Catalog illustrated with tens of images, essays in German, French and English by Susanne Anna (Im Spiel mit den Allegorien der Essentia), Christian Bernard (Vanités note sur Sherrie Levine), Michel Assenmaker (D'après Sherrie Levine, la répétition?), Erich Franz (Plastische distanz zu Sherrie Levine's "The bachelors (after Marcel Duchamp)), Susan Kandel (Sherrie Levine: Stalker). With a biography of the artist in English. Published in conjunction of the exhibition (Morsbroich - Geneva, Städtischen Museum Leverkusen Schloss Morsbroich - Musee d'Art Moderne et Contemporain, Geneva, 1998)
"Love's the boy stood on the burning deck trying to recite "The boy stood on the burning deck." Love's the son stood stammering elocution while the poor ship in flames went down. Love's the obstinate boy, the ship, even the swimming sailors, who would like a schoolroom platform, too, or an excuse to stay on deck. And love's the burning boy." Sherrie Levine 1997
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