Sherrie Levine / Pairs and posses

€90.00

LEVINE Sherrie (Hazleton, Pennsylvania, 1947), Krefeld, Museum Haus Lange, [printing: Rafael Jablonka], 2011, 2 volumes: n. 1: 31x24,5 cm; n.2: 28x22 cm., n.1: hard cover; n.2 soft cover, n.1: pp. 96; n.2: pp. 20, illustrated catalog with tens of colored images, essays in German and English by Martin Hentschel (Vorwort / Foreword) and Howard Singerman (Zählen: Sherrie Levines Pairs and Posses / Counting: Sherrie Levine's Pairs and Posses). Published in conjunction with the exhibition (Krefeld, Museum Haus Lange, October 10, 2010 - February 6, 2011). Special edition of 100 numbered copies that includes a small publication illustrated with only images from the exhibition and no texts, signed and numbered at the colophon.

LEVINE Sherrie (Hazleton, Pennsylvania, 1947), Krefeld, Museum Haus Lange, [printing: Rafael Jablonka], 2011, 2 volumes: n. 1: 31x24,5 cm; n.2: 28x22 cm., n.1: hard cover; n.2 soft cover, n.1: pp. 96; n.2: pp. 20, illustrated catalog with tens of colored images, essays in German and English by Martin Hentschel (Vorwort / Foreword) and Howard Singerman (Zählen: Sherrie Levines Pairs and Posses / Counting: Sherrie Levine's Pairs and Posses). Published in conjunction with the exhibition (Krefeld, Museum Haus Lange, October 10, 2010 - February 6, 2011). Special edition of 100 numbered copies that includes a small publication illustrated with only images from the exhibition and no texts, signed and numbered at the colophon.

"The question of repetition and difference, copy and aura is posed anew with every one of these works. "I appropriate these images to express my own simultaneous longing for the passion of engagement and the sublimity of aloofness." Levine personally likes to regard her works as "collaborations." Particularly in the field of sculptural repetition and transformation she plays with the greatest diversity of materials and presentation strategies so as to pose the viewer with a riddle and simultaneously promise aesthetic pleasure." Extract from the Foreword by Martin Hentschel