Skip to Content
Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
Home
Shop TE
Shop SBT
Catalogs
Contacts
0
0
Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
Home
Shop TE
Shop SBT
Catalogs
Contacts
0
0
Home
Shop TE
Shop SBT
Catalogs
Contacts
Shop SBT Rosemarie Trockel / La Biennale di Venezia 1999
DSC04342.jpg Image 1 of 5
DSC04342.jpg
DSC04343.jpg Image 2 of 5
DSC04343.jpg
DSC04344.jpg Image 3 of 5
DSC04344.jpg
DSC04345.jpg Image 4 of 5
DSC04345.jpg
DSC04346.jpg Image 5 of 5
DSC04346.jpg
DSC04342.jpg
DSC04343.jpg
DSC04344.jpg
DSC04345.jpg
DSC04346.jpg

Rosemarie Trockel / La Biennale di Venezia 1999

€0.00
sold out

TROCKEL Rosemarie (Schwerte, Germania 1952), New York, Nabe Press, [printing: Asmuth, Köln], 1999, 2 volumes - 24x14,5 cm., plastic slipcase, (vol. 1) [pp. 80] (vol.2) pp. 128, catalog/artist's book made up by two volumes. The first one is totally illustrated with film stills extracted from the three films (Sleepingpill, Kinderspielplatz and Eye) that Rosmarie Trockel showed at the Venice Biennale in 1999; the second contains 7 essays in English and German by Wilfried Dickhoff (Voraus-Setzung/Pre-Setting), Gudrun Inboden (Vorwort/Foreword) (Gegenwart, als Differenz gesehen/Presence seen as Difference), Lisa Zeiger(Trockel's Alarm Clock), Joan Simon (The once and future Kinderspielplatz: Getting ready to roll), Ralph Melcher (Die Masken von Venedig. Skizzen zur Bewegungsfreiheit in der Kunst von Rosemarie Trockel/The Masks of Venice. Sketches on Freedom of Movement in the Art of Rosemarie Trockel) and Jeannette Stoschek (Der Mythos von Zeit und Vergänglichkeit. Ein venezianisches Thema/The Myth of Time and Transcience. A Venetian Theme)

Get notified by email when this product is in stock.
Add To Cart

TROCKEL Rosemarie (Schwerte, Germania 1952), New York, Nabe Press, [printing: Asmuth, Köln], 1999, 2 volumes - 24x14,5 cm., plastic slipcase, (vol. 1) [pp. 80] (vol.2) pp. 128, catalog/artist's book made up by two volumes. The first one is totally illustrated with film stills extracted from the three films (Sleepingpill, Kinderspielplatz and Eye) that Rosmarie Trockel showed at the Venice Biennale in 1999; the second contains 7 essays in English and German by Wilfried Dickhoff (Voraus-Setzung/Pre-Setting), Gudrun Inboden (Vorwort/Foreword) (Gegenwart, als Differenz gesehen/Presence seen as Difference), Lisa Zeiger(Trockel's Alarm Clock), Joan Simon (The once and future Kinderspielplatz: Getting ready to roll), Ralph Melcher (Die Masken von Venedig. Skizzen zur Bewegungsfreiheit in der Kunst von Rosemarie Trockel/The Masks of Venice. Sketches on Freedom of Movement in the Art of Rosemarie Trockel) and Jeannette Stoschek (Der Mythos von Zeit und Vergänglichkeit. Ein venezianisches Thema/The Myth of Time and Transcience. A Venetian Theme)

TROCKEL Rosemarie (Schwerte, Germania 1952), New York, Nabe Press, [printing: Asmuth, Köln], 1999, 2 volumes - 24x14,5 cm., plastic slipcase, (vol. 1) [pp. 80] (vol.2) pp. 128, catalog/artist's book made up by two volumes. The first one is totally illustrated with film stills extracted from the three films (Sleepingpill, Kinderspielplatz and Eye) that Rosmarie Trockel showed at the Venice Biennale in 1999; the second contains 7 essays in English and German by Wilfried Dickhoff (Voraus-Setzung/Pre-Setting), Gudrun Inboden (Vorwort/Foreword) (Gegenwart, als Differenz gesehen/Presence seen as Difference), Lisa Zeiger(Trockel's Alarm Clock), Joan Simon (The once and future Kinderspielplatz: Getting ready to roll), Ralph Melcher (Die Masken von Venedig. Skizzen zur Bewegungsfreiheit in der Kunst von Rosemarie Trockel/The Masks of Venice. Sketches on Freedom of Movement in the Art of Rosemarie Trockel) and Jeannette Stoschek (Der Mythos von Zeit und Vergänglichkeit. Ein venezianisches Thema/The Myth of Time and Transcience. A Venetian Theme)

"It is a fine thing to see that, despite their obvious impossibility, teasing, ambiguous images of non-identity could exist. The three films which Rosemarie Trockel showed in the German pavilion of the 1999 Venice Biennial Exhibition and which are the subiect of this book allow us to see that. How? Perhaps because they address the problematic of so-called femininity and pose the associated questions of non-identity.

The film Sleepingpill shows coming, resting and going in a public' dormitory whose interior and exterior architecture was especially designed and realized for the film by Rosemarie Trockel, in cooperation with Tim Power.

The film Kinderspielplatz fails to provide any indirect representation of time like today's action films frantically still try to do. Instead, it confronts viewers with a direct presentation of time.

The film Eye forms an intermediate link, an intermezzo which unsettles and diverts the temporal relations in the other two films which could be identified with atmospheres of future and past. It evokes an apparent being-seen although no gaze can be fixated, nor is the viewer transfixed by a gaze, such as the observing gaze of power.". Extract from the Pre-Setting by Wilfried Dickhoff

You Might Also Like

Bruce Nauman / The slant step Revisited nauman-1983-california-the slant step-627502-2.jpg nauman-1983-california-the slant step-627502-3.jpg nauman-1983-california-the slant step-627502-4.jpg nauman-1983-california-the slant step-627502-5.jpg
Bruce Nauman / The slant step Revisited
€200.00
Bruce Nauman / Bruce Nauman. Works from 1965 to 1972 (Los Angeles) _DSC6525.jpg _DSC6526.jpg _DSC6527.jpg _DSC6528.jpg _DSC6529.jpg _DSC6530.jpg
Bruce Nauman / Bruce Nauman. Works from 1965 to 1972 (Los Angeles)
€200.00
Bruce Nauman / Bruce Nauman. Werke von 1965 bis 1972 (Düsseldorf) _DSC6493.jpg _DSC6494.jpg _DSC6495.jpg _DSC6496.jpg
Bruce Nauman / Bruce Nauman. Werke von 1965 bis 1972 (Düsseldorf)
€150.00
Bruce Nauman, Phil Weidman / Slant Step Book _DSC6467.jpg _DSC6468.jpg _DSC6469.jpg _DSC6470.jpg _DSC6471.jpg _DSC6472.jpg _DSC6473.jpg _DSC6474.jpg _DSC6475.jpg _DSC6476.jpg _DSC6462.jpg _DSC6463.jpg _DSC6464.jpg _DSC6465.jpg
Bruce Nauman, Phil Weidman / Slant Step Book
€550.00
AA.VV. / Art, Fashion, and Work for Hire _DSC6766.jpg _DSC6767.jpg _DSC6768.jpg _DSC6769.jpg _DSC6770.jpg
AA.VV. / Art, Fashion, and Work for Hire
€350.00

Subscribe

Log in with your email address to receive news and updates.

We respect your privacy.

Grazie!

Studio Bruno Tonini // Tonini Editore

Via Pratolungo 190, 25064 Gussago (BS) Italy
info@toninieditore.com Instagram Facebook

website designed and developed by Benedetta Ferrari.