Rachel Witheread / House
WHITEREAD Rachel (Ilford, UK 1963), London, Phaidon Press Limited, 1995, 24,5x21 cm., softcover with dustjacket, pp. 144, illustrated cover, catalogue with tens of colored and black and white images through the pages, introduction by James Lingwood and texts by Iain Sinclair (The House in the Park: A Psychogeographical Response), Doreen Massey (Space-time and the Politics of Location), Richard Shone (A Cast in time), Anthony Vidler (A Dark Space), John Davies (A Photographic Essay August 1993-March 1994), Simon Watney (On House, Iconoclasm & Iconophobia), Jon Bird (Dolce Domum) and Neil Thomas (The Making od House; Technical Notes; Compendium of Press and Cartoons; House Press; House: A Chronology).
WHITEREAD Rachel (Ilford, UK 1963), London, Phaidon Press Limited, 1995, 24,5x21 cm., softcover with dustjacket, pp. 144, illustrated cover, catalogue with tens of colored and black and white images through the pages, introduction by James Lingwood and texts by Iain Sinclair (The House in the Park: A Psychogeographical Response), Doreen Massey (Space-time and the Politics of Location), Richard Shone (A Cast in time), Anthony Vidler (A Dark Space), John Davies (A Photographic Essay August 1993-March 1994), Simon Watney (On House, Iconoclasm & Iconophobia), Jon Bird (Dolce Domum) and Neil Thomas (The Making od House; Technical Notes; Compendium of Press and Cartoons; House Press; House: A Chronology).
WHITEREAD Rachel (Ilford, UK 1963), London, Phaidon Press Limited, 1995, 24,5x21 cm., softcover with dustjacket, pp. 144, illustrated cover, catalogue with tens of colored and black and white images through the pages, introduction by James Lingwood and texts by Iain Sinclair (The House in the Park: A Psychogeographical Response), Doreen Massey (Space-time and the Politics of Location), Richard Shone (A Cast in time), Anthony Vidler (A Dark Space), John Davies (A Photographic Essay August 1993-March 1994), Simon Watney (On House, Iconoclasm & Iconophobia), Jon Bird (Dolce Domum) and Neil Thomas (The Making od House; Technical Notes; Compendium of Press and Cartoons; House Press; House: A Chronology).
"It began, an idea without a name, in the quiet of Rachel Whiteread's studio in East London. And it ended several years later, a sculpture called House, demolished in the full glare of the world's media. House always had the potential to be a contentious work of art. But in my first conversations with Rachel Whiteread in the summer of 1991, it was impossible to imagine that it would be quite as exposed, quite as contentious as things turned out; and that its transition from private projection to public phenomenon would be so dramatic and so quick." from the introduction of James Lingwood
