Mario Merz / Fibonacci 1202 - Mario Merz 1972
MERZ Mario (Milano 1925 - Torino 2003)
Torino, Galleria Sperone, 1972, 12,4x17,6 cm, softcover, pp. [32], artist’s book with calligraph title printed on the cover, containing 11 black and white photographic plates (shots by Paolo Mussat Sartor and Paolo Pellion) in which each one features an increasing number of characters that reproduce the Fibonacci numerical sequence: ( -) - 1 - 1 - 2 - 3 - 5 - 8 - 13 - 21 - 34 - 55. Edition of 1.200 copies of which 55 are numbered and signed. Copy in the unnumbered edition.
Bibliography: Celant 1989: pag. 108; Dematteis - Maffei 1998: n. 1.728; Maffei 2007: pag. 105; Sperone 2000: volume I, pp. 206-207; Lailach 2005: 140.
MERZ Mario (Milano 1925 - Torino 2003)
Torino, Galleria Sperone, 1972, 12,4x17,6 cm, softcover, pp. [32], artist’s book with calligraph title printed on the cover, containing 11 black and white photographic plates (shots by Paolo Mussat Sartor and Paolo Pellion) in which each one features an increasing number of characters that reproduce the Fibonacci numerical sequence: ( -) - 1 - 1 - 2 - 3 - 5 - 8 - 13 - 21 - 34 - 55. Edition of 1.200 copies of which 55 are numbered and signed. Copy in the unnumbered edition.
Bibliography: Celant 1989: pag. 108; Dematteis - Maffei 1998: n. 1.728; Maffei 2007: pag. 105; Sperone 2000: volume I, pp. 206-207; Lailach 2005: 140.
MERZ Mario (Milano 1925 - Torino 2003)
Torino, Galleria Sperone, 1972, 12,4x17,6 cm, softcover, pp. [32], artist’s book with calligraph title printed on the cover, containing 11 black and white photographic plates (shots by Paolo Mussat Sartor and Paolo Pellion) in which each one features an increasing number of characters that reproduce the Fibonacci numerical sequence: ( -) - 1 - 1 - 2 - 3 - 5 - 8 - 13 - 21 - 34 - 55. Edition of 1.200 copies of which 55 are numbered and signed. Copy in the unnumbered edition.
Bibliography: Celant 1989: pag. 108; Dematteis - Maffei 1998: n. 1.728; Maffei 2007: pag. 105; Sperone 2000: volume I, pp. 206-207; Lailach 2005: 140.
