Jean-Christophe Amman / “TRANSFORMER: ASPEKTE DER TRAVESTIE”
Luzern, Kunstmuseum, 1975, cm. 21x29,5, paperback, pp. [362], catalog / artist's book fully illustrated with color and black and white photographic images of Rock and Punk music artists (Brian Eno, Mick Jagger, New York Dolls, David Bowie) in parallel with the work of artists such as Luciano Castelli, Jürgen Klauke, Urs Lüthi , Pierre Molinder, Luigi Ontani, Katharina Sieverding, Andy Warhol. Texts by Martine Lanini and Peter Gorsen, cover with a black and white photograph by Andrew Sherwood. Catalog of the iconic exhibition organized in 1974 by Jean Christophe Amman of Lucerne in which for the first time the link between transvestism in popular music and contemporary art is examined.
Luzern, Kunstmuseum, 1975, cm. 21x29,5, paperback, pp. [362], catalog / artist's book fully illustrated with color and black and white photographic images of Rock and Punk music artists (Brian Eno, Mick Jagger, New York Dolls, David Bowie) in parallel with the work of artists such as Luciano Castelli, Jürgen Klauke, Urs Lüthi , Pierre Molinder, Luigi Ontani, Katharina Sieverding, Andy Warhol. Texts by Martine Lanini and Peter Gorsen, cover with a black and white photograph by Andrew Sherwood. Catalog of the iconic exhibition organized in 1974 by Jean Christophe Amman of Lucerne in which for the first time the link between transvestism in popular music and contemporary art is examined.
Luzern, Kunstmuseum, 1975, cm. 21x29,5, paperback, pp. [362], catalog / artist's book fully illustrated with color and black and white photographic images of Rock and Punk music artists (Brian Eno, Mick Jagger, New York Dolls, David Bowie) in parallel with the work of artists such as Luciano Castelli, Jürgen Klauke, Urs Lüthi , Pierre Molinder, Luigi Ontani, Katharina Sieverding, Andy Warhol. Texts by Martine Lanini and Peter Gorsen, cover with a black and white photograph by Andrew Sherwood. Catalog of the iconic exhibition organized in 1974 by Jean Christophe Amman of Lucerne in which for the first time the link between transvestism in popular music and contemporary art is examined.
