"LIKE MANY A GENERAL IDEA VENTURE, THE AIDS PROJECT WAS ROOTED IN A visual pun. Only this pun seemed so tasteless, so cynical, so flippant, and so without social restraint that it was quickly dismissed. To abandon an idea on such grounds was, for General Idea, extraordinary, since crossing the boundaries of taste, decorum, and political correctness has been an essential part of the General Idea ethos from the start. The idea was simple: just as Robert Indiana's ubiquitous LOVE image was an icon for the sixties, so could its reinterpretation as AIDS be a fitting emblem for the eighties."

