Felix Gonzalez-Torres / Felix Gonzalez-Torres

€0.00
sold out

GONZALEZ-TORRES Félix (Guáimaro 1957 - Miami 1996), Felix Gonzalez-Torres, Berlin, Neue Gesellshaft für Bildende Kunst (NGBK) and Hamburger Bahnhof, Museum für Gegenwart, 2006, 23x17 cm, hard cover with dust jacket, pp. 224, illustrated cover and catalog. Published for the exhibition held at the Hamburger Bahnhof - Museum für Gegenwart, Berlin from October 1, 2006 to January 9, 2007. Texts in German and English by Frank Wagner (Vorwort/Preface), Petra Reichensperger (A view to remember), Gregor Stemmrich (Nichts als Stückwerk / Nothing but Piece-Work), Heike-Karin Föll (Form, Referenz und Kontext / Form, Reference and Context), Michael Wetzel (Aus-/Einschnitte / Cutting/Edge), Julie Ault (Chronology / Chronologie) and Susanne Weiß (Final Meaning?). With a bibliography and an exhibition history of the artist

Get notified by email when this product is in stock.

GONZALEZ-TORRES Félix (Guáimaro 1957 - Miami 1996), Felix Gonzalez-Torres, Berlin, Neue Gesellshaft für Bildende Kunst (NGBK) and Hamburger Bahnhof, Museum für Gegenwart, 2006, 23x17 cm, hard cover with dust jacket, pp. 224, illustrated cover and catalog. Published for the exhibition held at the Hamburger Bahnhof - Museum für Gegenwart, Berlin from October 1, 2006 to January 9, 2007. Texts in German and English by Frank Wagner (Vorwort/Preface), Petra Reichensperger (A view to remember), Gregor Stemmrich (Nichts als Stückwerk / Nothing but Piece-Work), Heike-Karin Föll (Form, Referenz und Kontext / Form, Reference and Context), Michael Wetzel (Aus-/Einschnitte / Cutting/Edge), Julie Ault (Chronology / Chronologie) and Susanne Weiß (Final Meaning?). With a bibliography and an exhibition history of the artist

"What is true for the "stacks" can be said about almost every work by Felix Gonzalez-Torres: They are the result of a very close observation of the social, cultural, and political realities, whose complexities are translated into simple forms. Subjective experiences and formulations expressing social criticism form the integral parts of an œuvre with which Felix-Gonzalez-Torres has reinvented politically active art in a new form during the nineties." extract from the preface by Frank Wagner