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Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
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Shop SBT Richard Long / A line in Scotland 1981
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Richard Long / A line in Scotland 1981

€150.00

LONG Richard (Bristol 1945)

Amsterdam, Art & Project & Project - Bulletin 128, [stampa: Drukkerij Delta], 1982, 29,5x21 cm. invitation sheet, pp. [4], bulletin illustrated with a double-page black and white photographic image and a short text by John Lennon superimposed, published on the occasion of the exhibition (Amsterdam, Art & Project, January 1982). Examplar folded into three parts for shipping. Edition of 800 copies.

[Bibliography: De Goede - Pelsers 2023: pag. 335; Long - Postcard 1984: pag. [80]; Riley-Smith 2011: pp. 48-49. n. 128 January 1982].

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LONG Richard (Bristol 1945)

Amsterdam, Art & Project & Project - Bulletin 128, [stampa: Drukkerij Delta], 1982, 29,5x21 cm. invitation sheet, pp. [4], bulletin illustrated with a double-page black and white photographic image and a short text by John Lennon superimposed, published on the occasion of the exhibition (Amsterdam, Art & Project, January 1982). Examplar folded into three parts for shipping. Edition of 800 copies.

[Bibliography: De Goede - Pelsers 2023: pag. 335; Long - Postcard 1984: pag. [80]; Riley-Smith 2011: pp. 48-49. n. 128 January 1982].

LONG Richard (Bristol 1945)

Amsterdam, Art & Project & Project - Bulletin 128, [stampa: Drukkerij Delta], 1982, 29,5x21 cm. invitation sheet, pp. [4], bulletin illustrated with a double-page black and white photographic image and a short text by John Lennon superimposed, published on the occasion of the exhibition (Amsterdam, Art & Project, January 1982). Examplar folded into three parts for shipping. Edition of 800 copies.

[Bibliography: De Goede - Pelsers 2023: pag. 335; Long - Postcard 1984: pag. [80]; Riley-Smith 2011: pp. 48-49. n. 128 January 1982].

“...Many artists, and that was essential to the function of the Bulletin. Richard Long For Exemplar ofter suggested to make a new Bulletin and mostly not in relation with an exhibition. He used the Bulletin as a separate element of his work...” (cfr. Interview with Adriaan van Ravesteijn on the Art & Project Bulletins, May 17, 2011).

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