Simone Forti / Handbook in Motion
FORTI Simone (Firenze 1935)
New York, Kasper Koenig, Nova College of Art and Design, Halifax - New York University Press, 1974, 23x17,4 cm., pp. 144, cover illustrated with a line drawing, artist's book with 22 black and white photographic images of performances performed by the artist between 1960 and 1973 (photos by Robert R. McElroy, Peter Moore, J.Beckers, Christophe Kuhn, Alvin Comiter). Numerous line drawings, blueprints, typed articles and more. Copy with autograph dedication by the artist. First edition.
Bibliografia: Lailach 2005: pag.116
FORTI Simone (Firenze 1935)
New York, Kasper Koenig, Nova College of Art and Design, Halifax - New York University Press, 1974, 23x17,4 cm., pp. 144, cover illustrated with a line drawing, artist's book with 22 black and white photographic images of performances performed by the artist between 1960 and 1973 (photos by Robert R. McElroy, Peter Moore, J.Beckers, Christophe Kuhn, Alvin Comiter). Numerous line drawings, blueprints, typed articles and more. Copy with autograph dedication by the artist. First edition.
Bibliografia: Lailach 2005: pag.116
FORTI Simone (Firenze 1935)
New York, Kasper Koenig, Nova College of Art and Design, Halifax - New York University Press, 1974, 23x17,4 cm., pp. 144, cover illustrated with a line drawing, artist's book with 22 black and white photographic images of performances performed by the artist between 1960 and 1973 (photos by Robert R. McElroy, Peter Moore, J.Beckers, Christophe Kuhn, Alvin Comiter). Numerous line drawings, blueprints, typed articles and more. Copy with autograph dedication by the artist. First edition.
Bibliografia: Lailach 2005: pag.116
"An Account of an Ongoing Personal Discourse and its manifestations in Dance. Simone Forti is a dancer who has always forged her own path. She arrived in New York in the early 60's from California. She brought with her a series of pieces that proved to be of serious influence on the development of "post modern" dance and sculpture in years to come. Her "dance-constructions" were based on a concern with bodies in action, the movement not being stylized or presented for its visual line but rather as a physical fact. The artist traces the development of her work intuitively rather than chronologically, including narratives about a time of participation in the drug culture that sheds light on the changes in her dancing. The book includes drawings, "dance reports" (short descriptions of events whose movement made a deep impression on the author's memory), and documentary materials such as scores, descriptions, and photographic records of performances." by Simone Forti (Goodreads)
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