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TUTTLE Richard (Rahway, New Jersey 1941)
Mönchengladbach, Städtisches Museum Abteiberg, 1985, 21x14,8cm, Softcover – cardboard slipcase, 128 pp., artist’s book with a color-illustrated cover featuring a typographic composition, 13 color images within the text, and a three-column layout combining images and texts. Critical text by Dierk Stemmler. Copy signed by the artist, lacking the graphic element.
TUTTLE Richard (Rahway, New Jersey 1941)
Mönchengladbach, Städtisches Museum Abteiberg, 1985, 21x14,8cm, Softcover – cardboard slipcase, 128 pp., artist’s book with a color-illustrated cover featuring a typographic composition, 13 color images within the text, and a three-column layout combining images and texts. Critical text by Dierk Stemmler. Copy signed by the artist, lacking the graphic element.
TUTTLE Richard (Rahway, New Jersey 1941)
Mönchengladbach, Städtisches Museum Abteiberg, 1985, 21x14,8cm, Softcover – cardboard slipcase, 128 pp., artist’s book with a color-illustrated cover featuring a typographic composition, 13 color images within the text, and a three-column layout combining images and texts. Critical text by Dierk Stemmler. Copy signed by the artist, lacking the graphic element.
“The problem of how color goes on something, so that it becomes realcolor, is what interests me in the work of Palermo; it seems the thread which unites his entire œuvre - in an insane world, he brings sanity. But it is a kind of blood sanity, that, if there were insanity, would still becapable of being found out. When I ask myself what the point is in mywork of 1975-85, the answer is: the point is number. Number is held between idea and substance. The wall is idea; the work is substance. Richard Tuttle 17.8.85”