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"Entering an underground car park becomes a plunge into a modern underworld: impressions full of subliminal threats and violence, and yet familiar as well, images from the media, images from the everyday flood of information and news. What is distressing is sudden withdrawal of the safety zone, the own car is abruptly thrust into the middle of a confusing scenario and there is only a closed car door between you and the surrounding chaos. The windscreen no longer offers a division between this side and that side of fiction, in the way that is familiar from the rectangle of the flickering television screen. The images break the frame, and sitting in the car one becomes part of an eerie film without script or direction. In the confrontation of stories and news, advertising and show, fiction and reality, perception slides into uncertainty. For drivers the first encountering with Cady Noland's installation in the Friedrichsplatz underground car-park in Kassel becomes an involuntary excursion into the wilderness, a journey off the highways, through the back-yards of western civilization."
