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"These rubber sculptures transport Fischli/Weiss's strategies with respect to right/ wrong suitability of material, as we know them from the Wurstserie (Sausage series) and Plötzlich diese Übersicht (Suddenly Such Organization), into an elastic dimension. There is, after all, nothing absurd about the rubber cast of a stuffed crow; it is still black, and so it is still, as one might say, a black sheep and more - clever, thieving and capable of speech, an animal of nocturnal wisdom, witches' com-panion, whose hoarse call is like a primeval cry... But what is the rubber crow in the context of the ensemble?"
