An untitled book published the same year by art & project in Amsterdam shows a more complex structure. It introduce a modality and marks the action as a repetition, as in, “PERHAPS WHEN REDONE.” These works have non affinity with the analytical linguistic fetishism of some of Weiner's peers, who tried to produce complex yet tautological utterances as an exemplary embodiment of art. all first sight, Weiner's works seem purely language-oriented but they are clearly not self-contained because they necessitate a construction, a material construction involving the linguistic specification of the blanks in a sentence or the structuring of a real situation.” (Schwarz).