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Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
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Shop SBT
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Shop SBT Kara Walker / Deutsche Bank Sammlung
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Kara Walker / Deutsche Bank Sammlung

€70.00

WALKER Kara [Kara Elizabeth Walker] (Stockton, California 1969), Frankfurt am Main, Deutsche Bank AG, [Printing: G&B Printers, London], 2002, 30x21 cm., hardcover, pp. 84, typographic black and white cover, catalogue of the exhibition illustrated with tens of black and white images - three foldout pages. Texts in German and English by Dr. Ariane Grigoteit (Answers and a little bit of wine) Edna Moshenson (The Emancipation Approximation), Marion Ackermann (Kara Wlaker - Snared by form). With a biography and the list of the solo exhibitions of the artist.

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WALKER Kara [Kara Elizabeth Walker] (Stockton, California 1969), Frankfurt am Main, Deutsche Bank AG, [Printing: G&B Printers, London], 2002, 30x21 cm., hardcover, pp. 84, typographic black and white cover, catalogue of the exhibition illustrated with tens of black and white images - three foldout pages. Texts in German and English by Dr. Ariane Grigoteit (Answers and a little bit of wine) Edna Moshenson (The Emancipation Approximation), Marion Ackermann (Kara Wlaker - Snared by form). With a biography and the list of the solo exhibitions of the artist.

WALKER Kara [Kara Elizabeth Walker] (Stockton, California 1969), Frankfurt am Main, Deutsche Bank AG, [Printing: G&B Printers, London], 2002, 30x21 cm., hardcover, pp. 84, typographic black and white cover, catalogue of the exhibition illustrated with tens of black and white images - three foldout pages. Texts in German and English by Dr. Ariane Grigoteit (Answers and a little bit of wine) Edna Moshenson (The Emancipation Approximation), Marion Ackermann (Kara Wlaker - Snared by form). With a biography and the list of the solo exhibitions of the artist.

"The works of Afro-American artist Kara Walker critically and ironically address questions of history and memory, of ethnic, gender and cultural identity. Walker has drawn attention to herself through her paper cutouts, her silhouettes, through which she has created a special place for herself in the contemporary art scene." extract from The Emancipation Approximation, by Edna Moshenson

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