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Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
Home
Shop TE
Shop SBT
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Shop SBT Joel Fisher / Apograph Extensions di Joel Fisher. (“Marilena Bono- mo” foto di Joel Fisher - “Joel Fisher” foto di Marilena Bonomo)
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Joel Fisher / Apograph Extensions di Joel Fisher. (“Marilena Bono- mo” foto di Joel Fisher - “Joel Fisher” foto di Marilena Bonomo)

€250.00

FISHER Joel (Salem 1947)

Bari, Marilena Bonomo, [1976], 10,4x15 cm., 2 invitations postcards published on the occasion of the exhibition, illustrated with a black and white photographic image of the eye by Marilena Bonomo (shot by Joel Fisher) and Joel Fisher (shot by Marilena Bonomo). (Bari, Galleria Marilena Bonomo, 17 March 1976, opening).

[Bibliography: Lailach 2005: pag. 113.].

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FISHER Joel (Salem 1947)

Bari, Marilena Bonomo, [1976], 10,4x15 cm., 2 invitations postcards published on the occasion of the exhibition, illustrated with a black and white photographic image of the eye by Marilena Bonomo (shot by Joel Fisher) and Joel Fisher (shot by Marilena Bonomo). (Bari, Galleria Marilena Bonomo, 17 March 1976, opening).

[Bibliography: Lailach 2005: pag. 113.].

FISHER Joel (Salem 1947)

Bari, Marilena Bonomo, [1976], 10,4x15 cm., 2 invitations postcards published on the occasion of the exhibition, illustrated with a black and white photographic image of the eye by Marilena Bonomo (shot by Joel Fisher) and Joel Fisher (shot by Marilena Bonomo). (Bari, Galleria Marilena Bonomo, 17 March 1976, opening).

[Bibliography: Lailach 2005: pag. 113.].

“The eyes were always (presented) in sets of two: I photographed the dealer, and the dealer photographed me. Then only exception (as I remember) was the very first one, which was not a postcard but an ad in some magazine; I forget which magazine. Though the postcards always came in sets of two, the format varied: sometimes they were attached to each other with perforations, sometimes they were separate. They were mostly postcard-sizes, although one set was long and thin. I seem to remember one set on A4 paper. They always came in envelopes; often the exhibition details (dates, etc.) were printed on the outsi- de of the envelope, rather than on the postcards. I preferred the separation of content from information, making the information external.” (Joel Fisher)

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