Jessica Diamond / Money holes
DIAMOND Jessica (New York 1957), Hartford, Connecticut, Real Art Ways, 1992, 22,5x17 cm., leporello, typographic cover, artist's book illustrated with 10 colored drawings, one for each facade of the leporello. With an essay by Susan Morgan at the back. Published in conjunction of the exhibition (Hartford, Real Art Ways, from April 1 to June 30, 1992). Exemplar dedicated and signed on the cover.
DIAMOND Jessica (New York 1957), Hartford, Connecticut, Real Art Ways, 1992, 22,5x17 cm., leporello, typographic cover, artist's book illustrated with 10 colored drawings, one for each facade of the leporello. With an essay by Susan Morgan at the back. Published in conjunction of the exhibition (Hartford, Real Art Ways, from April 1 to June 30, 1992). Exemplar dedicated and signed on the cover.
DIAMOND Jessica (New York 1957), Hartford, Connecticut, Real Art Ways, 1992, 22,5x17 cm., leporello, typographic cover, artist's book illustrated with 10 colored drawings, one for each facade of the leporello. With an essay by Susan Morgan at the back. Published in conjunction of the exhibition (Hartford, Real Art Ways, from April 1 to June 30, 1992). Exemplar dedicated and signed on the cover.
"In Hartford - yet another American city where the promise of urban renewal has soured, leaving the too familiar cityscape of empty lots and shut-down businesses - Diamond has installed ten Money Holes. On parking meters, where time and space still sell for such minuscule amounts as to be affordable, she has framed the question of our troubling era: Where does the money go? In Diamond's lethal shorthand, the current monetary calamities are reduced to a deadening sameness, a relentless series of inescapable black holes. Like economic obituaries, the Money Holes define and commemorate the times with an exacting dread." Susan Morgan
