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Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
Home
Shop TE
Shop SBT
Catalogs
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Home
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Shop SBT Jannis Kounellis, Alberto Boatto / Jannis Kounellis: Il Giardino, I Giuochi
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Jannis Kounellis, Alberto Boatto / Jannis Kounellis: Il Giardino, I Giuochi

€350.00

KOUNELLIS Jannis (Piraus, Grecia 1936 - Roma 2017) - BOATTO Alberto (Firenze 1929 - Roma 2017)

Roma, L’Attico, 1967, 22x30 cm, softcover, pp. [16], cover illustrated with a black and white photograph, 16 black and white illustrations, most of which printed full-page, with photographic images of the artist (shots by Oscar Savio). Catalog published on the occasion of the exhibition (Rome, L’Attico, March - April 1967).

Bibliography: Barbero - Pola 2010: pag. 241; Lailach 2005: pag. 135; Maffei 2007: pag. 96.

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KOUNELLIS Jannis (Piraus, Grecia 1936 - Roma 2017) - BOATTO Alberto (Firenze 1929 - Roma 2017)

Roma, L’Attico, 1967, 22x30 cm, softcover, pp. [16], cover illustrated with a black and white photograph, 16 black and white illustrations, most of which printed full-page, with photographic images of the artist (shots by Oscar Savio). Catalog published on the occasion of the exhibition (Rome, L’Attico, March - April 1967).

Bibliography: Barbero - Pola 2010: pag. 241; Lailach 2005: pag. 135; Maffei 2007: pag. 96.

KOUNELLIS Jannis (Piraus, Grecia 1936 - Roma 2017) - BOATTO Alberto (Firenze 1929 - Roma 2017)

Roma, L’Attico, 1967, 22x30 cm, softcover, pp. [16], cover illustrated with a black and white photograph, 16 black and white illustrations, most of which printed full-page, with photographic images of the artist (shots by Oscar Savio). Catalog published on the occasion of the exhibition (Rome, L’Attico, March - April 1967).

Bibliography: Barbero - Pola 2010: pag. 241; Lailach 2005: pag. 135; Maffei 2007: pag. 96.

“(...) catalogo con un testo di Alberto Boatto. Espone grandi rose in cotone bianco e nero, ritagliate nella stoffa e applicate con bottoni automatici alla tela. Il quadro più grande (3x2 m) è incorniciato da gabbiette con uccelli vivi. In una seconda fase (13 aprile) più teatrale, costruisce due grandi semiscatole di legno a misura d’uomo: in una, foderata di specchi, pone una pista per trenini elettrici al centro della quale egli stesso si espone seduto; nell’altra munita di un unico specchio all’altezza del viso, l’artista si guarda voltando le spalle allo spettatore, che lo vede riflesso”. (Luca Massimo Barbero - Francesca Pola).

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