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Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
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Shop SBT
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Shop SBT Hamish Fulton / No talking for seven days. (Walking for seven days in a wood February full moon cairngorms Scotland 1988)
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Hamish Fulton / No talking for seven days. (Walking for seven days in a wood February full moon cairngorms Scotland 1988)

€400.00

FULTON Hamish (London 1946)

München - Köln, Galerie Tanit - Dietmar Werle, [stampa: The Print Centre - London], 1988, 18,3x22,2 cm, legatura editoriale in tela, pp. [20], illustrated artist’s book with color drawings and texts by the artist printed in two colors (red and black), cover illustrated with an extended drawing on both sides. Edition of 300 copies signed and numbered in pencil by the artist.

[Bibliography: Anne Moeglin Delcroix, «Esthétique du livre d’artiste. Una introduction à l’art contemporain», Paris, Le Mot et Le Reste / Bibliothèque Nationale de France, 2011: pag. 252/253, 429].

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FULTON Hamish (London 1946)

München - Köln, Galerie Tanit - Dietmar Werle, [stampa: The Print Centre - London], 1988, 18,3x22,2 cm, legatura editoriale in tela, pp. [20], illustrated artist’s book with color drawings and texts by the artist printed in two colors (red and black), cover illustrated with an extended drawing on both sides. Edition of 300 copies signed and numbered in pencil by the artist.

[Bibliography: Anne Moeglin Delcroix, «Esthétique du livre d’artiste. Una introduction à l’art contemporain», Paris, Le Mot et Le Reste / Bibliothèque Nationale de France, 2011: pag. 252/253, 429].

FULTON Hamish (London 1946)

München - Köln, Galerie Tanit - Dietmar Werle, [stampa: The Print Centre - London], 1988, 18,3x22,2 cm, legatura editoriale in tela, pp. [20], illustrated artist’s book with color drawings and texts by the artist printed in two colors (red and black), cover illustrated with an extended drawing on both sides. Edition of 300 copies signed and numbered in pencil by the artist.

[Bibliography: Anne Moeglin Delcroix, «Esthétique du livre d’artiste. Una introduction à l’art contemporain», Paris, Le Mot et Le Reste / Bibliothèque Nationale de France, 2011: pag. 252/253, 429].

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