Giulio Paolini / Giulio Paolini (La caduta di Icaro)
PAOLINI Giulio (Genova 1940)
Milano, Padiglione d’Arte Contemporanea di Milano (PAC), 1982, 21,3x19 cm, paperback with two metal staples, pp. [20], cover illustrated with a black-and-white photographic collage; catalogue / artist’s book fully illustrated with color and black- and-white photographic collages (photographs by Paolo Mussat Sartor and Studio Saporetti), one of which is printed across a double-page spread and nine on a blue background. Catalogue published on the occasion of the exhibition (Milan, PAC – Pavilion of Contemporary Art, January 13 – February 21, 1982).
PAOLINI Giulio (Genova 1940)
Milano, Padiglione d’Arte Contemporanea di Milano (PAC), 1982, 21,3x19 cm, paperback with two metal staples, pp. [20], cover illustrated with a black-and-white photographic collage; catalogue / artist’s book fully illustrated with color and black- and-white photographic collages (photographs by Paolo Mussat Sartor and Studio Saporetti), one of which is printed across a double-page spread and nine on a blue background. Catalogue published on the occasion of the exhibition (Milan, PAC – Pavilion of Contemporary Art, January 13 – February 21, 1982).
PAOLINI Giulio (Genova 1940)
Milano, Padiglione d’Arte Contemporanea di Milano (PAC), 1982, 21,3x19 cm, paperback with two metal staples, pp. [20], cover illustrated with a black-and-white photographic collage; catalogue / artist’s book fully illustrated with color and black- and-white photographic collages (photographs by Paolo Mussat Sartor and Studio Saporetti), one of which is printed across a double-page spread and nine on a blue background. Catalogue published on the occasion of the exhibition (Milan, PAC – Pavilion of Contemporary Art, January 13 – February 21, 1982).
“L’opera è costituita da nove tele, contraddistinte da simboli convenzionali relativi ai nove pianeti del sistema solare. La dimensione la collocazione di ciascuna di esse si riferiscono alla posizione che ciascun pianeta occupa nello spazio. Il personaggio (Icaro) che abita questa «scena di conversazione», nel tentativo di toccare Venere, cade sulla tela a terra (la Terra), la sola far coincidere il proprio simbolo con l’ immagine chi si trova rappresentare“.
