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Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
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Shop SBT Franco Vaccari / La scultura buia
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Franco Vaccari / La scultura buia

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VACCARI Franco (Modena 1936)

Piacenza, Centro documentazione visiva, 1968, 23x22,8 cm, softcover, pp. [14], letterpress cover, artist’s book composed entirely of blank pages; only two printed words appear, “entrance” and “exit”, placed on the page before and on the page after the 4 central ones, made of a black plastic material. An explanatory text of the book is transcribed on the back cover. Copy signed by the artist and dedicated to Francesco Conz.

Bibliography: Dematteis - Maffei 1998: n. 2.743, pag. 202

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VACCARI Franco (Modena 1936)

Piacenza, Centro documentazione visiva, 1968, 23x22,8 cm, softcover, pp. [14], letterpress cover, artist’s book composed entirely of blank pages; only two printed words appear, “entrance” and “exit”, placed on the page before and on the page after the 4 central ones, made of a black plastic material. An explanatory text of the book is transcribed on the back cover. Copy signed by the artist and dedicated to Francesco Conz.

Bibliography: Dematteis - Maffei 1998: n. 2.743, pag. 202

VACCARI Franco (Modena 1936)

Piacenza, Centro documentazione visiva, 1968, 23x22,8 cm, softcover, pp. [14], letterpress cover, artist’s book composed entirely of blank pages; only two printed words appear, “entrance” and “exit”, placed on the page before and on the page after the 4 central ones, made of a black plastic material. An explanatory text of the book is transcribed on the back cover. Copy signed by the artist and dedicated to Francesco Conz.

Bibliography: Dematteis - Maffei 1998: n. 2.743, pag. 202

“LA SCULTURA BUIA è un ambiente in cui è stata eliminata ogni presenza, ogni infiltrazione di radiazioni visibili: è un corpo nero, un ambiente reso assolutamente compatto da una assenza invece che da una presenza, in cui le forme che vi possono incontrare diventano eventi imprevedibili con caratteristiche allucinatorie. Nella SCULTURA BUIA si ha un salto qualitativo nel tipo di interazione fra oggetto e fruitore; l’informazione avviene ad impulsi e il carattere probabilistico dell’estrapolazione appare in tutta la sua evidenza; in essa si opera una ristrutturazione dello spazio sfruttando le sensazioni primordiali dell’udito e del tatto.” (Franco Vaccari)

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