Ed Ruscha, Raymond Pettibon / The Holy Bible and The End
RUSCHA Edward (Omaha, Nebraska 1937), PETTIBON Raymond [Raymond Ginn] (Tucson 1957), Claremont, Pomona College Museum of Art, [printing: Huttner Litho], 2006, 20x15,5 cm., paperback, softcover, pp. 32, typographic cover, illustrated catalogue published in conjunction of the exhibition (Claremont, Pomona College Museum of Art, from January 22 to April 6, 2006). Curated by Rebecca McGrew, foreword by Kathleen Stewart Howe, essays in English by Ed Hamilton (Ruscha and Pettibon in collaboration), Dave Hickey (Ruscha and Pettibon: together again). A biography of the artists by Jonathan Raz (Ed Ruscha) and Rachel Monroe (Raymond Pettibon)
RUSCHA Edward (Omaha, Nebraska 1937), PETTIBON Raymond [Raymond Ginn] (Tucson 1957), Claremont, Pomona College Museum of Art, [printing: Huttner Litho], 2006, 20x15,5 cm., paperback, softcover, pp. 32, typographic cover, illustrated catalogue published in conjunction of the exhibition (Claremont, Pomona College Museum of Art, from January 22 to April 6, 2006). Curated by Rebecca McGrew, foreword by Kathleen Stewart Howe, essays in English by Ed Hamilton (Ruscha and Pettibon in collaboration), Dave Hickey (Ruscha and Pettibon: together again). A biography of the artists by Jonathan Raz (Ed Ruscha) and Rachel Monroe (Raymond Pettibon)
RUSCHA Edward (Omaha, Nebraska 1937), PETTIBON Raymond [Raymond Ginn] (Tucson 1957), Claremont, Pomona College Museum of Art, [printing: Huttner Litho], 2006, 20x15,5 cm., paperback, softcover, pp. 32, typographic cover, illustrated catalogue published in conjunction of the exhibition (Claremont, Pomona College Museum of Art, from January 22 to April 6, 2006). Curated by Rebecca McGrew, foreword by Kathleen Stewart Howe, essays in English by Ed Hamilton (Ruscha and Pettibon in collaboration), Dave Hickey (Ruscha and Pettibon: together again). A biography of the artists by Jonathan Raz (Ed Ruscha) and Rachel Monroe (Raymond Pettibon)
"The print collaborations of artists Edward Ruscha and Raymond Pettibon offer a layered model of artistic collaboration. The first layer takes the form of a call and response in which the artists respond to the portentous subject matter of The Holy Bible and THE END and to each other's interventions and inventions. Interspersed with the image/text dialogue between Ruscha and Pettibon is the quiet collaboration of Master Printer Edward Hamilton with each artist." exctract from the foreword by Kathleen Stewart Howe
