Daniel Buren / Passage
BUREN Daniel (Boulogne-Billancourt 1938)
Macerata, Edizione Artestudio, 1972; 53,6x53,6 cm., white cardboard slipcase containing 7 volumes (I - VII). Artists’ book illustrated with 200 offset lithographs, each volume include plates with different variations tone of a color: 32 leaves (Blue), 39 leaves (Yellow), 25 leaves (Black), 29 le- aves (Orange), 26 leaves (Red), 31 leaves (Green), 33 le- aves (Purple), justification and final blank leaf]. Edition of 110 unnumbered copies.
[Bibliography: Buren 2002: pa- ges P 12-13; Lailach 2005: page 102].
BUREN Daniel (Boulogne-Billancourt 1938)
Macerata, Edizione Artestudio, 1972; 53,6x53,6 cm., white cardboard slipcase containing 7 volumes (I - VII). Artists’ book illustrated with 200 offset lithographs, each volume include plates with different variations tone of a color: 32 leaves (Blue), 39 leaves (Yellow), 25 leaves (Black), 29 le- aves (Orange), 26 leaves (Red), 31 leaves (Green), 33 le- aves (Purple), justification and final blank leaf]. Edition of 110 unnumbered copies.
[Bibliography: Buren 2002: pa- ges P 12-13; Lailach 2005: page 102].
BUREN Daniel (Boulogne-Billancourt 1938)
Macerata, Edizione Artestudio, 1972; 53,6x53,6 cm., white cardboard slipcase containing 7 volumes (I - VII). Artists’ book illustrated with 200 offset lithographs, each volume include plates with different variations tone of a color: 32 leaves (Blue), 39 leaves (Yellow), 25 leaves (Black), 29 le- aves (Orange), 26 leaves (Red), 31 leaves (Green), 33 le- aves (Purple), justification and final blank leaf]. Edition of 110 unnumbered copies.
[Bibliography: Buren 2002: pa- ges P 12-13; Lailach 2005: page 102].
“... Buren’s Passage ... is seven large bound volumes in a slipcase, all beautifully made. Each volume is a different color and the first page of each has been printed, or passed through the press once. The second pages have been passed through twice, and so forth, until at the end of the volume, the color saturation on the stripes is quite intense. At the start of the book the colors are extremely weak - ba- rely distinguishable from the white of the page between the stripes. In a completely different spirit, this is a work which has been worked out very thoughtfully and with great finesse ... “. (Art-Rite 14, 1976).
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