Bernard Rudofsky / Architecture Without Architects...

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RUDOFSKY Bernard (Vienna 1905 - New York 1988)

New York, Museum of Modern Art, 1964, 24,2x21,5 cm., paperback, pp. 126, illustrated cover, 157 black and white plates and illustrations in the text. Text and graphic design by B. Rudofsky. Exhibition catalog. (New York, Museum of Modern Art, 9 November 1964 - 7 February 1965). First edition.

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RUDOFSKY Bernard (Vienna 1905 - New York 1988)

New York, Museum of Modern Art, 1964, 24,2x21,5 cm., paperback, pp. 126, illustrated cover, 157 black and white plates and illustrations in the text. Text and graphic design by B. Rudofsky. Exhibition catalog. (New York, Museum of Modern Art, 9 November 1964 - 7 February 1965). First edition.

RUDOFSKY Bernard (Vienna 1905 - New York 1988)

New York, Museum of Modern Art, 1964, 24,2x21,5 cm., paperback, pp. 126, illustrated cover, 157 black and white plates and illustrations in the text. Text and graphic design by B. Rudofsky. Exhibition catalog. (New York, Museum of Modern Art, 9 November 1964 - 7 February 1965). First edition.

Bernard Rudofsky was among the first to introduce an open criticism of the formal in architecture in the international theoretical debate. Through the exaltation of the vernacular construction, he divulged directly and without mediation, a radically different informal architecture which could be adopted as a reference. His position is innovative because it is poetic, based on a vision of the vernacular as an a-top, a-starch, a-critic, general and global category: “Vernacular architecture owes its spectacular longevity to a constant redistribution of hard-won knowledge, channeled into quasi-instinctive reactions to the outer world”.

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