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Studio Bruno Tonini // Tonini Editore
Studio Bruno Tonini // Tonini Editore
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Shop SBT Anri Sala / Anri Sala
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Anri Sala / Anri Sala

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SALA Anri (Tirana 1974), Amsterdam, De Appel Foundation, [printing: Rosbeek BV, Nuth], 2000, 22x17 cm., softcover, pp. [44], typographic cover, illustrated catalog with colored images and stills from various films by the author. Essays in Dutch and English by Alexandre Costanzo "Donc attention Fictions of the images", Edi Muka "Nocturnes", Nicolaus Schafhausen "Astonishing Disillusionment", with a biography of the artist. Published in conjunction of the exhibition (Amsterdam, De Appel Foundation, November 3, 2000, January 7, 2001)

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SALA Anri (Tirana 1974), Amsterdam, De Appel Foundation, [printing: Rosbeek BV, Nuth], 2000, 22x17 cm., softcover, pp. [44], typographic cover, illustrated catalog with colored images and stills from various films by the author. Essays in Dutch and English by Alexandre Costanzo "Donc attention Fictions of the images", Edi Muka "Nocturnes", Nicolaus Schafhausen "Astonishing Disillusionment", with a biography of the artist. Published in conjunction of the exhibition (Amsterdam, De Appel Foundation, November 3, 2000, January 7, 2001)

SALA Anri (Tirana 1974), Amsterdam, De Appel Foundation, [printing: Rosbeek BV, Nuth], 2000, 22x17 cm., softcover, pp. [44], typographic cover, illustrated catalog with colored images and stills from various films by the author. Essays in Dutch and English by Alexandre Costanzo "Donc attention Fictions of the images", Edi Muka "Nocturnes", Nicolaus Schafhausen "Astonishing Disillusionment", with a biography of the artist. Published in conjunction of the exhibition (Amsterdam, De Appel Foundation, November 3, 2000, January 7, 2001)

"Sala belongs to the generation of young Albanian artists who received import their education after the system in Albania changed. He had already spent many years under the old regime in his early youth, and it was a grow experiencing both situations from a different point of view that gave Anri Sala the opportunity to create his artistic position and come up dimen. with really interesting work. This development began during his student years with his loss of interest in painting and his research in video. A more complete work casts it emerged in 1996 with his final graduate project, 'The Tongue'. For 26 minutes the screen is invaded by a licking tongue, which spits and obsesses the viewer with its almost endless movement." extract from the essay by Edi Muka

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